WARNING: Potential Spoilers for Nightwing #111 Backup Story The Son of Gray, Part 1!
The Joker is commonly perceived as an embodiment of chaos, his madness and schemes against Batman seemingly devoid of any logic or purpose other than to create the maximum amount of havoc and pain possible. However, his latest, strikingly wild attire betrays his true purpose within the DC Universe, a notion that the Clown Prince of Crime himself affirmed in the Death of the Family storyline.
Nightwing #111, by Tom Taylor and Sami Basri, features an accompanying story titled The Son of Gray by Michael Conrad and Francesco Francavilla. This narrative unfolds in 14th Century Normandy, where Dick Grayson embarks on a quest to avenge his father’s murder, ultimately discovering the Joker’s culpability in the heinous crime.
Offering an Elseworlds-esque twist, the story portrays a reimagined Joker, both physically and spiritually. In this rendition, the Clown Prince of Crime adopts a pope-like guise, melding jester aesthetics with religious attire. Beyond mere sartorial choice, this distinctive appearance provides deeper insights into the Joker’s enigmatic character.
Joker’s New Jester Costume in Nightwing Backup Story Represents His True Purpose
In his latest iteration, Joker dons a striking ensemble that draws inspiration from papal attire, including a mitre, the pointed hat commonly associated with popes, and wields a papal staff. However, amidst these piously influenced elements, Joker’s attire takes on a distinct jester-like quality, complete with bells and a jester emblem adorning his chest. This departure from the clown aesthetic to a more jester-centric look serves to underscore Joker’s complex identity and his self-proclaimed role in Batman’s life as the one entrusted with telling the “court” (read: Bat-Family) hard truths.
In medieval courts, jesters played a distinct role. While they provided entertainment, they also enjoyed a unique privilege known as the “Jester’s privilege.” This granted them the freedom to mock anyone and convey uncomfortable truths to the court without fear of retribution. As underscored in Death of the Family, Joker identifies with this role in Batman’s life, viewing himself as the purveyor of harsh truths and provocations. Therefore, adopting the appearance of a jester serves as a fitting physical representation of the Clown Prince of Crime’s perceived purpose within the DC universe.
The Joker Debuts a Classy New Costume Perfect for the Clown “Prince” of Crime
The Joker is known as the “Clown Prince of Crime,” and his latest outfit has the classy trappings of a royal figure, perfectly fitting the moniker.
Meet Pope Joker: DC’s Biblically Pious Take on the Clown Prince of Crime
The Son of Gray, Part 1 marks the inception of this two-part narrative, promising more of the intriguing blend of pious and jester-like Joker in the subsequent installment. Despite the brevity of this storyline, it’s evident that considerable deliberation went into crafting this unconventional portrayal of the Clown Prince of Crime, extending beyond mere religious attire. Embedded within are numerous biblical and religious allusions, including a reference to Job, adding layers to the character’s complexity. Such attention to detail within the confines of a short Nightwing and Joker tale is truly commendable and heightens anticipation for part 2.
Nightwing #111 is available now from DC Comics!
NIGHTWING #111 (2024) | |
|---|---|
 |
|
