Buffy The Vampire Slayer: The 5 Most (& 5 Least) Realistic Storylines

Buffy The Vampire Slayer: The 5 Most (& 5 Least) Realistic Storylines

One of the reasons why Joss Whedon’s Buffy the Vampire Slayer became an iconic show was the degree to which it successfully married reality with magic. Rather than settling for teen drama alone, like many of its fellow productions from The WB in that era, the central metaphor of Buffy captured high school as the stuff of horror. The Slayer and friends grappled with the rigors of growing up just as they battled vampires and assorted other monsters.

Within the framework of the show, some of the Buffy storylines felt quite real for how they captured interpersonal dynamics and individual struggles. By the same token, there were also a few key plot points that didn’t add up.

Most Realistic: “The Body”

Buffy The Vampire Slayer: The 5 Most (& 5 Least) Realistic Storylines

Season five of Buffy the Vampire Slayer featured one of the most emotional episodes of the series. Buffy had a complicated relationship with her mom, but nothing could prepare her for the death of Joyce Summers, or the immediate aftermath portrayed in “The Body.”

This episode was limited to just one vampire who appeared late in the episode and never posed much of a threat before Buffy dusted him. Instead, the episode focused on shock and grief. The gang lost a loved one, and there was absolutely nothing they could have done about it.

Least Realistic: The Rise Of The Trio

The Trio planning in Buffy The Vamoire Slayer

For most of season six, the arch-villains are The Trio. Hapless nerds Warren, Andrew, and Jonathan band together, harnessing smarts, pent up resentment, and a healthy dose of male entitlement to become a thorn in the side of Buffy and friends.

The premise and motivations behind The Trio aren’t unrealistic. However, given The Scoobies had survived a list of “big bads” that includes the most powerful vampires in the world, a demon mayor, a military installation, and a malevolent god in previous seasons, the idea of The Trio causing much trouble felt silly. While Warren’s use of a gun injected a bit of realism into the storyline, it was immediately taken away when Tara ended up catching a stray bullet right in front of Willow. It felt a bit contrived that this was for the purpose of provoking Willow’s big turn.

Most Realistic: Willow And Xander Making Out

An image of Willow and Xander Kissing. They are dressed in their prom outfits, although Willow's outfit is not in the image

The fact that Willow and Xander were friends for years before Buffy came to Sunnydale, and Willow had a crush on Xander was a pretty realistic dynamic. Sure, it’s familiar territory for teen movies and TV shows, but it nonetheless jived with real complicated relationships between young people.

Season three saw Willow and Xander arrive at the best versions of themselves to date. They were emboldened through their slaying adventures. Moreover, their respective relationships with Oz and Cordelia had lent each character more confidence. It was only fitting that Willow would find her interest in Xander renewed and that, for the first time, Xander would reciprocate the interest.

Least Realistic: The Digital Demon

An image of Buffy fighting the Monster, which appears to be six feet tall and is wearing a ram-like mask. It has protective gear and red eyes too

The late 1990s were a time of technological advancement. The general public grew acquainted and increasingly comfortable with the new phenomenon of the Internet. With the mainstream surge in computer usage, the world saw a stream of films and TV episodes that capitalized on fears of the unknown.

Buffy explored this trope in season one episode “I Robot, You Jane.” The premise was that Willow accidentally scanned a demon from a text, into a computer, where it proceeded to romantically court her. It eventually gathered minions and eventually took the form of a robot. There are quite a few loose ends in the mechanics of how all of this worked, and the clear capitalization on fear of the unknown when it comes to computers hasn’t aged well.

Most Realistic: Spike Falls For Buffy

An image of Buffy and Spike kissing She is wearing a black vest top and green cargo pants. Spike is wearing a red jacket with a black t-shirt

 

A big part of Spike’s introduction to Buffy was that he had killed two previous slayers and come to Sunnydale bent on making Buffy the third. This unhealthy obsession with ending her life gave way to a different kind of obsession–still unhealthy, but geared toward romance.

Though Spike’s love for Buffy may have been doomed from the start, it was believable that the sense of passion he felt toward hurting her would give way to attraction. That’s especially so after he spent more time with the Slayer, got to know, and especially after the chip implanted in his head by The Initiative completely disqualified him from hurting her.

Least Realistic: Dominating The Ubervamps

An image of an Ubervamp in Buffy The Vampire Slayer. It looks quite monstrous as it has razor sharp teeth and is trying to intimidate Buffy

In season seven, the Turok-Han—colloquially described as Ubervamps—arrived. They were vampires in a purer demonic form and the vanguard of The First Evil. Initial encounters with these beasts don’t go well for The Scoobies as they proved too powerful for even Buffy to handle.

In episodes to follow, Buffy did slay an Ubervamp one-on-one, but not without a significant fight. So it was a little ridiculous to watch Buffy and company lay waste to an army of Ubervamps in “Chosen.” One particularly poorly shot spot saw a fully human version of Anya clumsily swing a sword at an Ubervamp’s chest level and dusts him, thus depicting the Ubervamps as suddenly more vulnerable than the average vampire.

Most Realistic: Buffy Drops Out Of College

Willow and Buffy walking outside at college on Buffy The Vampire Slayer

A major plot point for season four of Buffy the Vampire Slayer sees the protagonist matriculate to UC Sunnydale. Transitioning to college was a logical enough choice for the character and the show alike.

From there, season five saw Buffy battle Glory, part ways with Riley, lose her mom, and defend her sister. It was natural for Buffy to drop out of college. In fact, it was arguably unrealistic for Buffy to have lasted as long as she did in a rigorous academic program alongside her slaying duties. The weight of responsibility was just too much to keep up her studies by the home stretch of season five.

Least Realistic: Cordelia And Xander’s Relationship

An image of Xander and Cordelia together while they are at school. Cordelia is seen wearing a green shirt and has her hair in a high pony. Xander is wearing a yellow and brown plaid shirt, with a grey t-shirt underneath. They are smiling at each other

 

Season two of Buffy the Vampire Slayer sees Cordelia let down her guard as she makes the full shift from antagonist to the Scoobies to part of the gang. Then she starts dating Xander.

It’s a trope for TV shows to have enemies wind up romantic partners, but this was one of the least sensical pairings on Buffy. Cordelia was portrayed as both popular and shallow. Her feeling of a magnetic attraction to Xander, who was largely ignored by everyone in the school, didn’t make sense. The contrivance felt like a Hollywood cliché, with the dork landing the girl who was out of his league, despite offering little of value to her.

Most Realistic: The Class Protector

An image of Buffy receiving the class protector award. She is wearing her prom outfit although the dress is not in the shot completely. She is also seen wearing her hair down and smiling

There’s a certain sad sweetness to Buffy protecting the people of Sunnydale in largely anonymous fashion. The show does not portray it as common knowledge that even vampires exist, let alone that there’s a Slayer.

Late season three episode, “The Prom,” rendered one of the best big school dances in the history of movies or TV, and was highlighted by Buffy’s classmates rallying to publicly present her with The Class Protector Award. The superlative realistically demonstrated that an individual can’t help so many people, so many times, without them noticing and wanting to give thanks.

Least Realistic: The 18th Birthday Test

An image of Buffy locked in a room by herself. She is wearing blue dungarees and a grey shirt. She looks confused as she notices that there are numerous polaroids on the walls, which are shown in the background of the images

Buffy’s eighteenth birthday nearly killed her. She unknowingly fell victim to a slayer ritual in which she was drugged to subdue her superhuman powers and pitted against an especially dangerous vampire to test her wits.

The premise of this test, portrayed in season three episode “Helpless,” felt absurd. After all, there’s only supposed to be one slayer at a time, who has substantial responsibility for protecting the world, and who presumably grows more formidable with experience. Subjecting her to physical and psychological torment, not to mention putting her life at risk feels both cruel and wildly impractical for all of the Watchers to be complicit in.