Warning! Spoilers ahead for House of the Dragon season 2, episodes 1 & 2.

George R. R. Martin reviews House of the Dragon season 2, episodes 1 and 2. Adapting the events of Martin’s Fire & Blood, the popular Game of Thrones spinoff recently returned for its sophomore outing on HBO, continuing the story of the Targaryen civil war. House of the Dragon season 2 has earned rave reviews from critics thus far, with praise directed at the show’s storytelling, performances, and focus.

In a new post on his blog, Martin shares his own review for House of the Dragon season 2’s first two episodes, and his words are overwhelmingly positive. The author draws attention to the strong direction, but also the impressive performances from the show’s cast. Check out an excerpt from Martin’s blog below:

What a great way to start the season. The directing was superb. GAME OF THRONES veteran Alan Taylor directed the first episode, and Clare Kilner the second. Both of them did a magnificent job. And I cannot say enough about the acting. Emma d’Arcy has only one line in “A Son for a Son,” but they does so much with their eyes and their face that they dominates the episode; her grief for her slain son is palpable.

Tom Glynn-Carney brings Aegon alive in ways we have not seen before; he’s more than a villain here, he shows us the king’s rage, his pain, his fears and doubts. His humanity. Rhys Ifans has been splendid as Otto Hightower every time he has been on screen, but he exceeded himself in “Rhaenyra the Cruel.” His scene with King Aegon and Criston Cole after the ratcatchers are hanged just crackles with wit, tension, drama, a performance that cries out for awards attention.

Matt Smith, Olivia Cooke, Fabien Frankel, Eve Best, and the other regulars were wonderful as well. The Tittensor twins were terrific as the Kingsuard twins, and their climactic swordfight is right up there with the Mountain and the Red Viper of Dorne, and Brienne’s fight with Jaime Lannister.

And Phia Saban gave a wrenching, powerful, heart-breaking performance as Helaena Targaryen, Aegon’s doomed, haunted queen and mother to his children.

Saban’s performance is especially noteworthy; very little of what she brings to the part was in my source material […] In the book, she is a plump, pleasant, and happy young woman, cheerful and kindly, adored by the smallfolk. A dragonrider since the age of twelve, Helaena’s greatest joy in life is to take to the skies on the back of her dragon Dreamfyre.

None of the strangeness she displays in the show was in evidence in the book, nor is her gift for prophecy. Those were born in the writers’ room… but once I met the show’s version of Helaena, I could hardly take issue. Phia Saban’s Helaena is a richer and more fascinating character than the one I created in FIRE & BLOOD, and in “Rhaenyra the Cruel” you can scarcely take your eyes off her.

More to come…

Source: George R. R. Martin